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Rosemarie Magdalena Albach (23 September 1938 – 29 May 1982), known professionally as Romy Schneider (), was a German and French actress. She is regarded as one of the greatest screen actresses of all time and became a cult figure due to her role as Empress Elisabeth of Austria in the Sissi trilogy in the mid-1950s.Kerry Segrave9780899505107, McFarland. ISBN 9780899505107 She later reprised the role in a more mature version in Luchino Visconti's Ludwig (1973). She began her career in the German Heimatfilm genre in the early 1950s when she was 15. Schneider moved to France, where she made successful and critically acclaimed films with some of the most notable film directors of that era. Coco Chanel called Romy "the ultimate incarnation of the ideal woman". Bertrand Tavernier remarked: "Sautet is talking about Mozart with regard to Romy. Me, I want to talk of Giuseppe Verdi, Gustav Mahler..."
Four weeks after her birth, her parents took her to Schönau am Königssee in Germany where she and later her brother Wolf-Dieter (born 1941) grew up with their grandparents Franz Xaver and Maria Schneider on the country estate Mariengrund. In her first year, Schneider was cared for by a governess. Her parents were very rarely present due to their acting engagements. In 1943, they separated and divorced in 1945.Wolfgang Jacobsen: "Schneider, Romy" in Neue Deutsche Biographie. pp. 306–308 (307) (in German)
In September 1944, Schneider was enrolled in the elementary school of Schönau and from July 1949 she attended the girls' boarding school at , a private secondary school of the Augustinian of the Congregation of Notre Dame in Elsbethen near Salzburg. During her schooldays, she discovered her passion for acting which is why she was often on stage at theatrical performances at the residential school. In her diary entry of 10 June 1952, she wrote: "If it were up to me, I would immediately become an actress. ... Every time I see a nice movie, my first thoughts are about the idea: I definitely have to become an actress. Yes! I have to!" "Die Königin der Schmerzen" by and , Der Spiegel, 21 May 2007 On 12 July 1953, she left the residential school Goldenstein with the degree of Mittlere Reife. After the summer holidays, she moved to Cologne to join her mother who lived there with the restaurateur and entrepreneur . "Romy Schneider" by Dieter Wunderlich (in German)
After her parents' divorce in 1945, Magda took charge of Schneider and her brother Wolf-Dieter, eventually supervising her career, often appearing alongside her daughter. Her career was also overseen by her stepfather Blatzheim who, Schneider said, had made sexual advances on her.
Schneider's breakthrough came with her portrayal of Empress Elisabeth of Austria in the romantic biopic Sissi (1955) and its two sequels, Sissi – The Young Empress (1956) and Sissi – Fateful Years of an Empress (1957), all with Karlheinz Böhm, who became a close friend. Less stereotypical films during this busy period include The Girl and the Legend (1957), working with a young Horst Buchholz, and Monpti (1957), directed by Helmut Käutner, again with Buchholz. In an attempt to work on a higher artistic level, she starred with Lilli Palmer in the 1958 remake of Mädchen in Uniform.
Schneider starred in Christine (1958), a remake of Max Ophüls's 1933 film Liebelei (in which her mother Magda Schneider had played the same role). It was during the filming of Christine that Schneider fell in love with French actor Alain Delon who co-starred in the film. She left West Germany to join him in Paris, and they announced their engagement in 1959. (2025). 9781623564452, Bloomsbury USA. ISBN 9781623564452
Schneider decided to live and to work in France, slowly gaining the interest of film directors such as Orson Welles for The Trial (1962), based on Franz Kafka's The Trial. She was also introduced to Luchino Visconti. Under Visconti's direction, she gave performances in the Théâtre Moderne as Annabella (and Delon as Giovanni) in John Ford's stage play 'Tis Pity She's a Whore (1961), and in the film Boccaccio '70 (segment: "The Job"). In 1962, Schneider played Anna in Sacha Pitoëff's production of Anton Chekhov's play The Seagull, also at the Théâtre Moderne.
A brief stint in Hollywood included a starring role in Good Neighbor Sam (1964), a comedy film with Jack Lemmon, and What's New Pussycat? (1965), in which Schneider co-starred with Peter O'Toole, Peter Sellers, and Woody Allen.
In 1964, Delon broke up with Schneider to marry Nathalie Barthélémy as he got her pregnant, and they had a son together, Anthony Delon. Delon divorced Barthélémy in 1969, after which he kept pursuing Schneider, but she always refused to get back together. However, they remained close lifelong friends and continued to work together in such films as La Piscine ( The Swimming Pool, 1968) and The Assassination of Trotsky (1972).
Schneider portrayed a more mature and realistic Elisabeth of Austria in Ludwig (1973), Visconti's film about the life of King Ludwig II of Bavaria."Sissi sticks to me just like oatmeal", Schneider once said.
Paris Match wrote in 1971: "Forty years after Greta Garbo and Marlene Dietrich, fifteen years after Marilyn Monroe, the screen again has a great star." Translation of Romy Schneider: Mythos und Leben (Kiepenheuer & Witsch, 2008)
Other successes from this period included Le Train (1973), Claude Chabrol's thriller Innocents with Dirty Hands ( Les innocents aux mains sales, 1975) with Rod Steiger, and Le vieux fusil (1975). The gritty ( L'important c'est d'aimer, 1974) garnered her first César Award (France's equivalent of the Oscar), a feat she repeated five years later, in her last collaboration with Sautet, for A Simple Story ( Une histoire simple, 1978).
On 30 October 1974, Schneider was the second guest on Dietmar Schönherr's talk show ( The Later the Evening) when she, after a rather terse interview, remarked passionately to the last guest, bank robber and author Burkhard Driest: "Sie gefallen mir. Sie gefallen mir sehr." (I like you. I like you a lot.), (October 1974, 29 seconds)
, U.S. filmmaker Michael Cimino wanted Schneider to star as the female lead in his political love story Perfect Strangers. She would have starred alongside Roy Scheider and Oskar Werner. The film, however, was ultimately cancelled after several weeks of pre-production shooting because of "political machinations".
She also acted in The Infernal Trio (1974) with Michel Piccoli, and in Garde à vue (1981) with Michel Serrault and Lino Ventura. An unpleasant incident occurred during this period with leading German film director Rainer Werner Fassbinder, who wanted to cast her as the lead in his film The Marriage of Maria Braun (1979). Negotiations broke down when he called Schneider a "dumb cow", to which she responded by declaring she would never work with such a "beast". Fassbinder cast Hanna Schygulla instead, reviving his professional association with an actress to whom he had likewise been offensive.
Schneider starred in Bertrand Tavernier's Death Watch ( La mort en direct, 1980), playing a dying woman whose last days are watched on national television via a camera implanted in the brain of a journalist (Harvey Keitel). It is based on David G. Compton's novel. Schneider's last film was La Passante du Sans-Souci ( The Passerby, 1982).
Schneider appeared as one of 28 women under the banner "We've had abortions!" () on the cover page of the West German magazine Stern on 6 June 1971. In that issue, 374 women publicly stated that they had had pregnancies terminated, which at that time was illegal.
In 1975, Schneider married , her private secretary; they divorced in 1981. Their daughter, Sarah Biasini, is an actress. Schneider’s last romantic partner was film producer (born 1949).
In her 2018 biography Romy Schneider intime, Alice Schwarzer stated that Schneider confided to her that she had sexual relationships with women and was deeply in love with her close friend Simone Signoret.
Her tombstone at Boissy-sans-Avoir, Yvelines, bears her birth name, Rosemarie Albach. Funeral guests were Jean-Claude Brialy, Michel Piccoli, Jean-Loup Dabadie and Jean Rochefort. "En France, à Boissy-sans-Avoir dans les Yvelines, Michel Piccoli, Jean-Loup Dabadie et Jean-Claude Brialy lors des obsèques de Romy Schneider le 2 juin 1982" (photo caption), by Rachel Henry, purepeople.com, 6 January 2021, Institut national de l'audiovisuel Alain Delon arranged for her son David to be buried in the same grave.
Pedro Almodóvar's film All About My Mother (1999) is partially dedicated to her.
A movie about Schneider's life, titled Eine Frau wie Romy/Une femme comme Romy ( A Woman Like Romy), was planned by Warner Bros. for 2009; Schneider's role was going to be played by Yvonne Catterfeld. The project was cancelled in July 2009. "Catterfeld sagt Projekt ab", Focus, 27 July 2009 A musical about Schneider, Romy – Die Welt aus Gold ( Romy – The Golden World) was premiered in 2009 at the Theater Heilbronn. Romy – Die Welt aus Gold In November 2009, the ARD broadcast the feature film with Jessica Schwarz in the title role. Romy – the movie at Südwestrundfunk The film 3 Days in Quiberon (2018) by Emily Atef describes a 1981 episode in Schneider's life in the French town of Quiberon. "NDR Koproduktion hat Chance auf Goldenen Bären", Norddeutscher Rundfunk, 16 January 2018
On 23 September 2020, Google celebrated her 82nd birthday with a Google Doodle in Germany, France, Austria, Iceland and Ukraine.
The culture broadcaster Arte dedicated a documentary to Romy Schneider and Alain Delon: Romy and Alain – The Eternal Betrothed, 2022.
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